Here's the earliest stages of paint application. These are oil paints, thinned with a lot of mineral spirits, and I'm not being ultra-careful or accurate with them yet; that will come as I work the painting toward a finish. You can see that I'm not using much color yet, either. Instead, I'm establishing the light/shadow contrasts which are really the most important thing about the picture, and form its foundation.
Oh, and those blacks aren't black. They're a mix of raw umber with dark blue and alizarin crimson. It gives something a lot closer to the color of the black on the horse's legs.
I'll update this again tomorrow or Saturday (tomorrow, with teaching at Michael's, is going to be a very busy day; I may not have time).
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