Thursday, August 27, 2015

Upcoming Events!

I’m in the Faculty Show at Minnetonka Center for the Arts, Aug. 20th — Sept. 24th; Reception is on Thursday, Sept. 17th, 6 - 8 p.m.

Because my Photo-Inspired Mixed Media class (click link, scroll down a bit) at MTCA is on creating mixed media art based on your own amateur snapshots, I’m showing three pieces of animal themed art in mixed media. 

I’ve got three works in the Animal Attraction show at Gallery 427, Sept. 18th - Oct. 10th; Reception is Friday, Sept. 18th, 7 - 10 p.m.

I’m the September artist at Espresso Royale at the corner of Fairview and Randolph in Saint Paul. Highly recommend coming in for their astoundingly good vanilla lattes, made with genuine vanilla syrup they brew on site. 

October: of course I am in Saint Paul Art Crawl! October 9, 10, and 11; hours and full map are on their site. I show at J.A. Geiger Studio where it’s easy and free to park because we are in an East St. Paul neighborhood rather than in crowded Lowertown. Art Crawl is the ONLY time I create pet portrait sketches “on the spot” from your photos; cost is between $20 and $60 depending how many animals are in the shot and how long you’d like me to spend on the mixed media sketch. 

November: I’m at Peggy’s Holiday Boutique at the Oval in Roseville from November 7 - 15th, displaying original art, reproductions, and a lot of greeting cards, and I’m also one of the artists who does live art demonstrations during the weekends (schedule TBA). 

Then it’s Art of the Holidays at Minnetonka Center for the Arts (click the link and scroll down for info), Nov. 12th — December 23rd; Grand Opening is Nov. 11th, 6 - 9 p.m. This show/sale is a great tradition in Minnetonka and one of the best places to find truly unique gift items. 

December: HORSE CRAZY MARKET, here I come!  Friday, Dec. 4th, 2 - 8 p.m. and Saturday, Dec. 5th, 10 a.m. - 6 p.m.. This two-day event is in its third year and growing fast. It’s at the Ramada Bloomington (formerly the Thunderbird) and admission is free. There are a LOT of high-quality professional artists there, and this year’s roster includes a strong secondary focus on dogs and dog-related art and gift items. 

Wednesday, August 26, 2015

A Tiny Queen on the Balcony

Queen Amelia of the Garden, 7 x 10" mixed media on tan cotton paper.

So this is a BIG reason why I live where I do.

Because this apartment has sliding doors that open onto a balcony, and I had to have some kind of outdoor space where things can grow. 

The Happy Sparrows series started here, at my balcony feeder. The forget-me-nots and chamomile and nasturtiums, all in pots along the railing where they get as much sun as they can. While I don't have any chickens up here, I do grow the things I use for their settings. 

This spring, I went to look at an artist's loft in one of the big live/work buildings in Lowertown. Beautiful brick, aged wood, the community in the heart of everything -- and not so much as a window box to call my own. I pictured myself there and my heart sank, and I came back home grateful for the sunlight and space of my balcony, full of lively little sparrows even in the middle of winter. 

Always, I'm taking that step sideways from reality, but it turns out I need to have one foot on the ground, even if that ground is three floors up. 

Monday, May 18, 2015

Designing a Clucking Calendar

I began last night, gathering up images of the chickens I have already painted so that I can make the much-asked-for chicken calendar for 2016.

I have eight or nine (depending whether I end up combining the two Noble Hens, #4 and 5 in the squares above, into a diptych, which I may), so I need three or four more. Actually I have many more chickens than that, but for the calendar I'm only using the ones I've done in mixed media on paper.

For those of you who might be asking, "But what about the horses?", fear not. The 2016 horse calendar is also in its early design stages, but because I already did one of those last year, I actually have fewer horses than I have chickens.

If you feel this is unacceptable, send me horse photos. :-D

Monday, May 11, 2015

Springy Stuff! And I'm Sick.

A day or two after Saint Paul Art Crawl, I got sick. The cough still hasn't gone away, and I've been working steadily at my frame shop job all the while, because some other folks have been out of town.

The result of all this has been that I still need to ship two items that I finished a while ago, and I haven't created any new art to show you this week. What I did do was take the long way home a couple times last week, and let rush hour rush by while I wandered with camera, Kleenex and cough drops in hand, snapping shots and inhaling the scents that I could, amazingly, still smell.

I hope you'll all have the chance to do something similar, now that all the lilacs are blooming.

Monday, May 4, 2015

Poetry is for the Birds

What you see here is my design process as I prepare to frame this raven of mine. While I don't consider myself a poet, some of my art sprouts verses as I work on it, rather by accident. I have chosen to add the verse to this one when I frame it. 

In this draft, you can't read the writing well (and I've got some layout issues which I will correct in the final version). Here's what it says.

The Patron Saint of Storytellers
often flies away
just before he tells you how it ends.
If you keep on calling, he comes back another day
He brings you half the ending 
and you bring the rest to him.

Monday, April 6, 2015

This Painting is Galloping Away

This is Black Mare in Summer, one of my personal favorite canvases. Based on a snapshot I took of my horse, it's made of layers of oil paint and wax, and measures 40" h x 30" w.

And I'm putting it in the Live Art Auction at Schmidt Artists Lofts on April 25th.

This may surprise those of you who read my recent post critical of charity benefit art auctions. I'm so burned out on those that I almost deleted the email about this auction without even reading it. 

Glad I didn't. This auction is put on by a group of people who want to support and promote the artists while providing a fun time for everyone.

How rare is such an event?

I have never seen one like it before. I have been asked to give countless times. This is the first time I have ever been given an opportunity to sell my work in an auction.

So here I am, sending one of my own very favorite paintings to this auction. Retail, this is a twelve-hundred-dollar canvas. My reserve on it at auction is just four hundred fifty. It could go for that; that's the gamble I'm taking. If you love it, and you want it, here's your chance.

Monday, March 30, 2015

Flying on Half-Finished Wings

Night Hawk, salvaged objects and materials with polymer clay, oil paint and wax.
Tracie Thompson, 12.5" h x 8" w x 5.25" d
I hope you'll click this photo to enlarge it; the pared-down-for-fast-loading blog version loses so much. 

This was finished last night, and in a sense it was 5 years in the making: that's how long I've had the main piece, which was once part of a wooden planter but which, when I found it, was debris along the tracks in Robbinsdale. I took home several of these slats, and have now used all but one.

The "2437" piece, I picked up in a parking lot on Ford Parkway about 3 years ago. It was night, and I had a fever, but I was out walking anyway. I recall that I had a reason for that, but not what it was.

Originally the plan was to truly finish the bird's wings. There were going to be more feathers and I thought I'd paint them black. Yet the longer I worked, the less I wanted to do that, and the more I liked the feeling of the wings half-constructed yet still somehow working: It felt like life as I know it, and so it stayed.

This piece is available, $350. 

Monday, March 23, 2015

A Charm for Hope and Comfort

About seven years ago, when my Grandma Thompson was still alive and I was still in Florida, I found several of these little bluebirds half buried in her back yard. I'd been making art with rescued materials for a long time by then, so I plucked the little birds from the dirt and took them home. They came with me to Minnesota, and since the move I had used all but this last one, whose tail was broken when I found her and had to be glued. Over the past couple days I worked out this design and assembled it; it's one of the smallest of this series of works at about 6" high. 

All my salvaged-object pieces are about hope and comfort, even when they're also about a lot of other things. There's a meaning for me in choosing to use materials and items which have been deemed 100% worthless, either by being abandoned, forgotten, or outright discarded. It feels like a way to honor all the parts of our own selves which have taken a beating or been neglected or deemed unimportant. 

Monday, March 16, 2015

Still in Art School

If you make art, and you want to do it really well, you're a student. You're always and forever a student, even when you're the instructor sometimes, even when you're getting into galleries and making sales and impressing your family and friends. This is because the moment you decide you know enough, is the moment you stop making really good art.

Red Coffeepot, 9 x 12" oil on canvas board, study from class. $60.

So here's me, being a student. This still life experiment is from my class with Derek Davis last week, where I'm continuing to learn about color and about how to loosen up my work and let go of some of my tendency to nitpick and to make edges too well defined. Is it a masterpiece? Nope. But it's a fun study that makes me happy and will probably end up brightening someone's kitchen. 

And I learn from each of these. For this one, I learned a little more about how much I could get away with blurring the edges, and how much form I could create with a big, shabby brush. 

Monday, March 9, 2015

Remember the Owl?

I finished it last night, quite late, like the owl I've always been.

Any time there are owls in my art, it's got something to do with my dad, who could call to them and get them not only to respond but to come close. This is a barred owl, the kind he could talk to. I haven't titled it yet because there are so many associations I have with these birds that I'm having a hard time narrowing it down. Its working title has been Owl House, and it may just stay that way.

This is 17" high and -- I say this because I've had a couple folks ask if that was an actual, stuffed owl -- no owls were harmed in the making of this art. The owl is oil paint and black pencil on a thin piece of tin I found discarded around an old barn.

I salvaged the wire, both the heavy copper and the fine stuff, from a friend who had scrap she was throwing out. The central spire is a surveyor's stake I found while walking around Saint Paul. The heavenly bodies are bits of found-on-the-street jewelry, gears, washers, and punched-out pieces of metal from the mill district along Minnehaha Ave near 38th. 

I want to thank Bob at Front Yard Video in Florida, for giving me permission to use still images from his owl videos as reference photos. 

This piece is available, $500. I will have it on display in April at Saint Paul Art Crawl, at J.A. Geiger Studio, provided it hasn't yet sold.